Boris Lavrenyov

|The forty first. Opus Posth.|

The scenic version of the story
“Requiem”. To the 65th anniversary of the termination of the World War II
¹ 13
A Streetcar Named Desire
A little bit of tenderness
A number
About Love
After the Rehearsal
Amadeus
An Ideal Husband. A Comedy
Antigona
Beast on the Moon
Boomerang
Cat-and-mouse
Chekhov's pages
Christmas Dreams
Circle Mirror Transformation
Circles / Compositions
Concert “Night of lovers”
Copenhagen
Crime and Punishment
Crime and punishment (2002)
Cyrano de Bergerac
Damned and Murdered
Dance of an Albatross
Dear Treasure
Don't Part With Your Beloved
Dreamworks* *Ìå÷òàñáûâàåòñÿ
Egor Bulychev and others (1963)
Eternity and One More Day
Fairys
Family Scenes
Ghosts
Gran’s Wellington Foxtrot
Hamlet
Hay fever
He's in Argentina
Hotel “Splendid”
In distant land
In the trenches of Stalingrad
Ivanov
Ivanov (1976)
Ivanov (1990)
Jewelers's Jubilee
Job
Karenin
Karmen.Studies.
King Lear
Kizhe
Krechinsky's Wedding
Kreitser's Sonata
Lady from the sea
Last mistake of Mozart
Last summer day
Last summer in Chulimsk
Latest
Leading Ladies
Live and remember
Macbeth
Make-up room
Mary Stuart
Mephisto
Misha's anniversary
Month In The Country
Mrs. Warren's Profession
My Old Lady
Nest of the Nobility
New Sorrows of Young W. 
Oblomov
Ondine
Ophelia Is Afraid of Water
Pismovnik
Plump woman
Possible Meeting
Pride and Prejudice
Professor of literature
Rebels
Representing a victim
Retro
Sanctimonious persons' Kabala
Savannah Bay
Shaga
Shining City
Snow White and the Seven Dwarfs
Snow-storm
Sonechka
Sweet Bird Of Youth
Swift current river
Takhir and Zukhra
Tartuffe
The Old-world Landowners
The Artist Descending a Staircase
The Beautiful life (La belle vie)
The Breath of Life
The Bright Way. 19.17
The Cherry Orchard
The Conspiracy of Feelings
The Dark Stone / Click Here
The Double Bass
The Double Bass (New Sound)
The Dragon
The Drunks
The Duck Hunt
The Egg
The Event
The Fairy Tale about What We Can and What We Can't
The Ghosts
The Golovlevs
The Juvenile Sea
The Karamazov Brothers
The Lark
The Last Sacrifice
The Man of Fish
The Marriage
The Marriage (1997)
The Merchant of Venice
The Musketeers. The Saga. Part One
The New American
The North Wind
The Petty Bourgeoises
The Pickwick Club
The Piemonte Beast
The Pillowman
The Precipice
The Return
The Rose Tattoo
The Sacred Flame
The Seagull
The Seagull
The Seagull
The Seagull
The Siege
The Sleeping Prince
The Speeches of the Mute
The Star of Your Time
The Sugar German
The Terrorism
The Threepenny Opera
The Village of Fools
The Village of Stepanchikovo
The White Guards
The White Nights
The forty first. Opus Posth.
The light taste of treason
The one who receives slaps in the face
The sun was shining
The violin and a little bit nervously
The white rabbit (Harvey)
Three Sisters
Tower «La Défense»
Truth Is Good But Happiness Is Better
Tutish
Twelve pictures from the life of artist
U
Uncle Vanya
V.G.
Vassa Zheleznova
West Pier. Dialogues. Repetition
White on the black
Witness for the Prosecution
Womb
Zero
Zoya's Apartment

Opening night: February 28, 2008
Running time: 1 h 45 m
Ticket price range: 500—1000 rub.
The director, the artist, the author of the scenic version
Victor Ryzhakov
Assistant director
Natalya Nikolaeva
Characters & Cast
Actors
Jana Sekste, Maxim Matveev, Pavel Vorozhtsov
Ñïåêòàêëü: <b><i>The forty first. Opus Posth.</i></b><br /><span class="normal">Ìàðþòêà — Jana Sekste<br /><i></i><br /><span class="small">© Ekaterina Tsvetkova</span></span>Ñïåêòàêëü: <b><i>The forty first. Opus Posth.</i></b><br /><span class="normal">Ìàðþòêà — Jana Sekste<br />Êðàñíûé — Pavel Vorozhtsov<br />Áåëîãâàðäååö — Maxim Matveev<br /><i></i><br /><span class="small">© Ekaterina Tsvetkova</span></span>
Ñïåêòàêëü: <b><i>The forty first. Opus Posth.</i></b><br /><span class="normal">Áåëîãâàðäååö — Maxim Matveev<br />Ìàðþòêà — Jana Sekste<br />Êðàñíûé — Pavel Vorozhtsov<br /><i></i><br /><span class="small">© Ekaterina Tsvetkova</span></span>Ñïåêòàêëü: <b><i>The forty first. Opus Posth.</i></b><br /><span class="normal">Ìàðþòêà — Jana Sekste<br />Áåëîãâàðäååö — Maxim Matveev<br />Êðàñíûé — Pavel Vorozhtsov<br /><i></i><br /><span class="small">© Ekaterina Tsvetkova</span></span>
Ñïåêòàêëü: <b><i>The forty first. Opus Posth.</i></b><br /><span class="normal">Pavel Vorozhtsov<br /><i></i><br /><span class="small">© Ekaterina Tsvetkova</span></span>Ñïåêòàêëü: <b><i>The forty first. Opus Posth.</i></b><br /><span class="normal">Jana Sekste<br /><i></i><br /><span class="small">© Ekaterina Tsvetkova</span></span>
Ñïåêòàêëü: <b><i>The forty first. Opus Posth.</i></b><br /><span class="normal">Jana Sekste<br />Maxim Matveev<br />Èñïîëíèòåëè — Pavel Vorozhtsov<br /><i></i><br /><span class="small">© Ekaterina Tsvetkova</span></span>Ñïåêòàêëü: <b><i>The forty first. Opus Posth.</i></b><br /><span class="normal">Jana Sekste<br />Pavel Vorozhtsov<br />Maxim Matveev<br /><i></i><br /><span class="small">© Ekaterina Tsvetkova</span></span>
Ñïåêòàêëü: <b><i>The forty first. Opus Posth.</i></b><br /><span class="normal">Jana Sekste<br />Pavel Vorozhtsov<br /><i></i><br /><span class="small">© Ekaterina Tsvetkova</span></span>Ñïåêòàêëü: <b><i>The forty first. Opus Posth.</i></b><br /><span class="normal">Maxim Matveev<br /><i></i><br /><span class="small">© Ekaterina Tsvetkova</span></span>
Ñïåêòàêëü: <b><i>The forty first. Opus Posth.</i></b><br /><span class="normal">Jana Sekste<br /><i></i><br /><span class="small">© Ekaterina Tsvetkova</span></span>Ñïåêòàêëü: <b><i>The forty first. Opus Posth.</i></b><br /><span class="normal">Èñïîëíèòåëè — Jana Sekste<br />Èñïîëíèòåëè — Maxim Matveev<br /><i></i><br /><span class="small">© Ekaterina Tsvetkova</span></span>
Ñïåêòàêëü: <b><i>The forty first. Opus Posth.</i></b><br /><span class="normal">Maxim Matveev<br />Jana Sekste<br /><i></i><br /><span class="small">© Ekaterina Tsvetkova</span></span>Ñïåêòàêëü: <b><i>The forty first. Opus Posth.</i></b><br /><span class="normal">Pavel Vorozhtsov<br /><i></i><br /><span class="small">© Ekaterina Tsvetkova</span></span>
Ñïåêòàêëü: <b><i>The forty first. Opus Posth.</i></b><br /><span class="normal">Maxim Matveev<br />Jana Sekste<br /><i></i><br /><span class="small">© Ekaterina Tsvetkova</span></span>Ñïåêòàêëü: <b><i>The forty first. Opus Posth.</i></b><br /><span class="normal">Maxim Matveev<br />Jana Sekste<br /><i></i><br /><span class="small">© Ekaterina Tsvetkova</span></span>
Ñïåêòàêëü: <b><i>The forty first. Opus Posth.</i></b><br /><span class="normal">Maxim Matveev<br />Jana Sekste<br /><i></i><br /><span class="small">© Ekaterina Tsvetkova</span></span>Ñïåêòàêëü: <b><i>The forty first. Opus Posth.</i></b><br /><span class="normal">Maxim Matveev<br />Jana Sekste<br /><i></i><br /><span class="small">© Ekaterina Tsvetkova</span></span>
Ñïåêòàêëü: <b><i>The forty first. Opus Posth.</i></b><br /><span class="normal">Maxim Matveev<br />Jana Sekste<br /><i></i><br /><span class="small">© Ekaterina Tsvetkova</span></span>Ñïåêòàêëü: <b><i>The forty first. Opus Posth.</i></b><br /><span class="normal">Maxim Matveev<br />Jana Sekste<br /><i></i><br /><span class="small">© Ekaterina Tsvetkova</span></span>
Ñïåêòàêëü: <b><i>The forty first. Opus Posth.</i></b><br /><span class="normal">Jana Sekste<br />Maxim Matveev<br /><i></i><br /><span class="small">© Ekaterina Tsvetkova</span></span>Ñïåêòàêëü: <b><i>The forty first. Opus Posth.</i></b><br /><span class="normal">Èñïîëíèòåëè — Pavel Vorozhtsov<br /><i></i><br /><span class="small">© Ekaterina Tsvetkova</span></span>
Ñïåêòàêëü: <b><i>The forty first. Opus Posth.</i></b><br /><span class="normal">Maxim Matveev<br />Jana Sekste<br /><i></i><br /><span class="small">© Ekaterina Tsvetkova</span></span>Ñïåêòàêëü: <b><i>The forty first. Opus Posth.</i></b><br /><span class="normal">Maxim Matveev<br />Jana Sekste<br /><i></i><br /><span class="small">© Ekaterina Tsvetkova</span></span>
Ñïåêòàêëü: <b><i>The forty first. Opus Posth.</i></b><br /><span class="normal"><br /><i></i><br /><span class="small">© Ekaterina Tsvetkova</span></span>